mUltimate Chopin

Op. 10 No 8, Etude in F major

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 53-66
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF Main text

  b. 53-57

No fingering in A

Fingering in FE (→GE)

EE

In the main text we give the fingering in bar 53, written by Chopin in a proofreading of FE (→GE). In this and next bars, Fontana added a number of further hints in EE, specifying Chopin's indications.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Authentic corrections of FE

notation: Fingering

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4
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