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p. 4, b. 41-52
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
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FE - French edition
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FE2 - Corrected impression of FE1
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FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
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  b. 47

b1(2) in A

b1(2) in FE (→GE,EE)

In A the only accidental in the part of the R.H. is the  before the 3rd semiquaver (c2). In a proofreading of FE (→EE), Chopin also added a  before the 2nd note (b1). It is probably a correction of the manuscript's inaccuracies, yet in this harmonic context the version with b1 (b2) as a possible original version cannot be entirely excluded. The accidentals in the 2nd group of semiquavers are included only in GE (in A, in which the middle part of the bar is written – same as in the following bars – with the octave sign, a sign or signs were not necessary).

See b. 48

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, GE revisions, Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4