Page: 
Source: 
p. 1, b. 1-14
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 2

Fingering in A

Wedge in FE (→EE)

Wedges in GE

Our variant suggestion

The wedges over and are a result of a mistake of the engraver of FE, who misinterpreted the '1's of the fingering. The first of them was removed in the last proofreading of FE (→EE), yet in GE it remained unchanged. In the main text we give the fingering after A, yet we leave the inclusion of the digit over to the performer's discretion, as in subsequent, similar figures (bars 4, 6, 8), Chopin did not once repeat it and it cannot be excluded that it referred to the original version of this fragment.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in FE, Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4