Page: 
Source: 
p. 7, b. 80-95
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 94-95

Chords in A

FE (→GE,EE)

Chopin introduced a different edition of the final chords while proofreading FE (→GE,EE). In bar 95 the notation of A is unclear, as far as the rhythmic values are concerned – f2 (the lowest note in this version) has a minim stem, which is incomprehensible in this context. In A it is also the most probably erroneous c2 in the 2nd chord in the R.H. (changed later in a proofreading of FE to d2) that draws attention. It is probably an unadjusted mark of the still earlier version whose traces are visible in A

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category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Corrections in A, Authentic corrections of FE

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4