Page: 
Source: 
p. 5, b. 53-66
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 60

No accidental in A (→FEGE1)

 in EE & GE2 (→GE3GE4)

Our suggestion

Before the 2nd semiquaver of the last group, there is no accidental in A (→FEGE1), which formally gives c2. A few accidentals, overlooked in A in bars 57-60, allow for assuming Chopin's inattention also in this case. In the entire 4-bar section, in the parts of both hands he used only the notes of the key of F major as transitional notes (second semiquavers of each group). Deviation from this rule in the last figure, based on a chord which directly introduces this key, would be completely incomprehensible. The natural was added in EE and GE2 (→GE3GE4).

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Omissions to cancel alteration, GE revisions

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4