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Source: 
p. 4, b. 41-52
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 44

Initially, the 1st group of semiquavers in A was . Chopin deleted it and wrote the final version below. It seems that he did not check the influence of the change on the notation of the subsequent part of the bar – there is no  before the 3rd note in the 2nd group of semiquavers, while in the 3rd group there remains a  before g, which is however justified also as a cautionary accidental, yet it was written probably due to g in the original version.

Compare the passage in the sources»

category imprint: Corrections & alterations

issues: Corrections in A, Errors resulting from corrections, Cautionary accidentals

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4