Page: 
Source: 
p. 3, b. 29-40
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
FE1 - First French edition
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Pedalling
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 33-34

No pedalling in A

Pedalling in FE (→EE)

GE1

GE2 (→GE3GE4)

In the main text we give the pedalling which Chopin added while proofreading FE (→EE). In GE1 the  mark was omitted, which was added in subsequent GE,s, most probably on the basis of the authentic pedalling in bars 19-20. Lack of the mark in GE1 may be a simple oversight of the edition's engraver or be an echo of the error of the proof copy of FE, corrected in the last phase of proofreading.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions, Authentic corrections of FE

notation: Pedalling

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4