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Issues : Omission of current key accidentals
b. 12
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composition: Op. 10 No 8, Etude in F major
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The chord which opens the bar in A is written without the category imprint: Differences between sources; Corrections & alterations issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 41-42
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composition: Op. 10 No 8, Etude in F major
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In both bars in A (→FE), there are no accidentals before the last note of the 2nd group of semiquavers. These patent oversights were completed in GE and EE. The sharps are also written in pencil in FES. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Omission of current key accidentals , Annotations in FES , Inaccuracies in A |
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b. 42
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composition: Op. 10 No 8, Etude in F major
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In A there is no category imprint: Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE |
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b. 43
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composition: Op. 10 No 8, Etude in F major
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In A (→FE→EE) the category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES |
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b. 43
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composition: Op. 10 No 8, Etude in F major
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A is missing the category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE |