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Issues : Omissions to cancel alteration
b. 57
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composition: Op. 10 No 8, Etude in F major
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In A (→FE1→EE3) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Authentic corrections of FE |
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b. 58
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composition: Op. 10 No 8, Etude in F major category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 59
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composition: Op. 10 No 8, Etude in F major
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In A (→FE1) there are no naturals returning c2 on the 10th and 15th semiquavers. The composer's oversight is completely clear, yet in FE2 a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 60
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composition: Op. 10 No 8, Etude in F major
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Before the 2nd semiquaver of the last group, there is no accidental in A (→FE→GE1), which formally gives c category imprint: Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , GE revisions |
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b. 79
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composition: Op. 10 No 8, Etude in F major
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The flat returning b category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |