Issues : Omissions to cancel alteration
b. 57
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composition: Op. 10 No 8, Etude in F major
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In A (→FE1→EE3) there is no returning b1 on the penultimate semiquaver. It is undoubtedly an oversight, corrected in FE2, GE and EE4. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Authentic corrections of FE |
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b. 58
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composition: Op. 10 No 8, Etude in F major category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 59
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composition: Op. 10 No 8, Etude in F major
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In A (→FE1) there are no naturals returning c2 on the 10th and 15th semiquavers. The composer's oversight is completely clear, yet in FE2 a was added only on the 4th beat. The revisers of GE and EE correctly completed the text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 60
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composition: Op. 10 No 8, Etude in F major
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Before the 2nd semiquaver of the last group, there is no accidental in A (→FE→GE1), which formally gives c2. A few accidentals, overlooked in A in bars 57-60, allow for assuming Chopin's inattention also in this case. In the entire 4-bar section, in the parts of both hands he used only the notes of the key of F major as transitional notes (second semiquavers of each group). Deviation from this rule in the last figure, based on a chord which directly introduces this key, would be completely incomprehensible. The natural was added in EE and GE2 (→GE3→GE4). category imprint: Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , GE revisions |
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b. 79
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composition: Op. 10 No 8, Etude in F major
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The flat returning b3 at the end of the 1st half of the bar, omitted in A probably by accident, was added in a proofreading of FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |