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Issues : Accidentals in different octaves
b. 37-40
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composition: Op. 10 No 8, Etude in F major
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The sources differ in the presence of accidentals, which, however, does not raise any doubts concerning the text's interpretation. Considering the fact that Chopin and a part of his editors used slightly different rules of validity of the signs written with the use of the octave sign, we state that A is missing two necessary signs, a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves |
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b. 49
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composition: Op. 10 No 8, Etude in F major
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In A (→FE) there is no category imprint: Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , GE revisions |
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b. 51
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composition: Op. 10 No 8, Etude in F major
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In A (→FE) there is no accidental before the 4th semiquaver. There is no reason to doubt that it is a typical of Chopin inaccuracy, resulting from the rules of validity of the accidentals, which in fact were not fully established in Chopin's notation. It is confirmed by the category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Errors in GE , GE revisions , Inaccuracies in A |
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b. 72
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composition: Op. 10 No 8, Etude in F major
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In A (→FE1) there are no flats lowering d2(3) to d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE |
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b. 94
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composition: Op. 10 No 8, Etude in F major category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A |