Issues : GE revisions
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b. 77
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composition: Op. 10 No 8, Etude in F major
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In A there are no accidentals before the upper minim in the L.H. at the beginning of the bar and before the penultimate semiquaver in the R.H. First of these undeniable oversights was corrected already in FE (→GE,EE), the second – only in GE.
In A the flat before the 5th semiquaver (e category imprint: Interpretations within context; Differences between sources issues: GE revisions , Omission of current key accidentals , Authentic corrections of FE , Accidental below/above the note , Last key signature sign |
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b. 77-78
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composition: Op. 10 No 8, Etude in F major
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In the main text we give the notation of A, in which the sustained c note does not raise any doubts. In spite of this, in FE the tie was inaccurately reproduced (only in bar 78 in the new line of the text) and with a mistake (it reaches F), so that in none of the remaining editions the correct text was guessed. We consider the version of GE and EE4 to be a natural interpretation of FE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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b. 79
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composition: Op. 10 No 8, Etude in F major
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The bottom note of the 1st chord in FE is e. This clearly erroneous note was accurately corrected to f in GE and EE. A correction in pencil was also written in FES. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions |
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b. 89
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composition: Op. 10 No 8, Etude in F major
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Chopin added the staccato dot over the chord in a proofreading of FE (→GE,EE). In GE the mark was added also over the quaver in the R.H. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 89
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composition: Op. 10 No 8, Etude in F major
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A quaver flag was omitted in the 1st note in the R.H. in FE. This patent error was corrected in GE and EE. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors |
4) is arranged clearly too low, at the level of b
