Issues : EE revisions
b. 57
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composition: Op. 10 No 8, Etude in F major
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In A (→FE1→EE3) there is no returning b1 on the penultimate semiquaver. It is undoubtedly an oversight, corrected in FE2, GE and EE4. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Authentic corrections of FE |
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b. 58
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composition: Op. 10 No 8, Etude in F major
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In FE1, the raising b1 to b1 is only in the 3rd group of semiquavers. The error was corrected in FE2 by adding a relevant also in the 2nd group. The mistake was also corrected by revisers of GE and EE, who moved the sign from the 3rd beat to the 2nd. In the main text we give both signs due to graphic reasons (division of the bar between two lines of the text). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 59
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composition: Op. 10 No 8, Etude in F major
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In A (→FE1) there are no naturals returning c2 on the 10th and 15th semiquavers. The composer's oversight is completely clear, yet in FE2 a was added only on the 4th beat. The revisers of GE and EE correctly completed the text. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 59
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composition: Op. 10 No 8, Etude in F major
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FE1 features erroneous c3 as the 12th semiquaver, which was corrected in FE2. GE and EE also include the correct text. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 60
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composition: Op. 10 No 8, Etude in F major
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Before the 2nd semiquaver of the last group, there is no accidental in A (→FE→GE1), which formally gives c2. A few accidentals, overlooked in A in bars 57-60, allow for assuming Chopin's inattention also in this case. In the entire 4-bar section, in the parts of both hands he used only the notes of the key of F major as transitional notes (second semiquavers of each group). Deviation from this rule in the last figure, based on a chord which directly introduces this key, would be completely incomprehensible. The natural was added in EE and GE2 (→GE3→GE4). category imprint: Differences between sources; Editorial revisions issues: EE revisions , Omissions to cancel alteration , GE revisions |