Issues : Authentic corrections of FE
b. 43
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composition: Op. 10 No 8, Etude in F major
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A is missing the before the penultimate semiquaver (b). Chopin noticed this patent inaccuracy while proofreading FE, yet initially the sign was erroneously inserted before the last note (d1), which was reproduced in GE1 (→GE2). In the last proofreading of FE (→EE), the was moved to the right place, a relevant addition was also introduced in GE. In GE3 (→GE4), the superfluous sign before d1 was removed. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE |
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b. 44
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composition: Op. 10 No 8, Etude in F major
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In A there is no raising f to f in the 7th semiquaver in the bar. This patent oversight was corrected in FE (→GE,EE). category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Errors of A , Authentic corrections of FE |
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b. 44-46
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composition: Op. 10 No 8, Etude in F major
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The fingering added by Chopin in a proofreading of FE (→GE) was slightly modified by Fontana in EE. Lack of indication of the 1st finger in the L.H. in bar 44 may also be a mistake. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 47
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 47-51
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composition: Op. 10 No 8, Etude in F major
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The pedalling in these bars was added by Chopin in a proofreading of FE (→EE). The first mark was placed only in bar 48, which is most probably a mistake. In GE the mark was moved to the end of bar 47, in accordance with the harmonic sense. We suggest a similar correction in the main text. category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions , Authentic corrections of FE |