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Issues : Authentic corrections of FE
b. 37-40
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composition: Op. 10 No 8, Etude in F major
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The fingering given in the main text – in bars 37-38 – was added by Chopin in a proofreading of FE (→GE,EE). In the latter, Fontana completed it in these and two next bars. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 37
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composition: Op. 10 No 8, Etude in F major
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The first R.H. slur in A is probably drawn imprecisely. The distinctly different slurs in FE (→GE,EE) are most likely the result of Chopin's correction. category imprint: Graphic ambiguousness; Differences between sources |
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b. 40
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composition: Op. 10 No 8, Etude in F major
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category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 41
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composition: Op. 10 No 8, Etude in F major
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Two fingering digits given in the main text come from FE (→GE,EE). Fontana repeated them in EE also at the beginning of the next group of 4 semiquavers. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 42
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composition: Op. 10 No 8, Etude in F major
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In A there is no category imprint: Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE |