Issues : Inaccuracies in FE
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b. 71-72
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composition: Op. 10 No 8, Etude in F major
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In bar 71 the missing mark after is not striking in A, in which the pedalling is not precisely indicated. However, in FE (→GE,EE) Chopin added indications in adjacent bars, hence in the main text we suggest the moment of the pedal's release (change) in accordance with the harmonic flow. In EE and GE2 (→GE3→GE4), the mark was added earlier, at the end of bar 71. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , No pedal release mark |
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b. 73
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composition: Op. 10 No 8, Etude in F major
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The additional crotchet stem, written in A, was omitted in FE (→GE,EE). Most probably, it is a result of an inaccurate reading of the manuscript. category imprint: Differences between sources issues: Inaccuracies in FE |
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b. 75-76
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composition: Op. 10 No 8, Etude in F major
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Chopin added the pedalling of these bars while proofreading FE (→GE,EE). We add the mark, omitted in FE (→GE1) in bar 75, in accordance with the harmonic sense. The addition was also performed in EE and GE2 (→GE3→GE4), yet adding the mark earlier, already in the middle of the bar. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE |
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b. 77-78
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composition: Op. 10 No 8, Etude in F major
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In the main text we give the notation of A, in which the sustained c note does not raise any doubts. In spite of this, in FE the tie was inaccurately reproduced (only in bar 78 in the new line of the text) and with a mistake (it reaches F), so that in none of the remaining editions the correct text was guessed. We consider the version of GE and EE4 to be a natural interpretation of FE. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions |
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