Issues : Errors in FE
b. 32
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources issues: Errors in FE |
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b. 38-39
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composition: Op. 10 No 8, Etude in F major
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In FE (→GE,EE) the staccato dot at the beginning of bar 38 was overlooked. In GE2 (→GE3→GE4) the dot in bar 39 (as well as in bar 40) was also omitted. category imprint: Differences between sources issues: Errors in FE , Errors in GE |
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b. 43
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composition: Op. 10 No 8, Etude in F major
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A is missing the before the penultimate semiquaver (b). Chopin noticed this patent inaccuracy while proofreading FE, yet initially the sign was erroneously inserted before the last note (d1), which was reproduced in GE1 (→GE2). In the last proofreading of FE (→EE), the was moved to the right place, a relevant addition was also introduced in GE. In GE3 (→GE4), the superfluous sign before d1 was removed. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Omission of current key accidentals , Authentic corrections of FE |
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b. 58
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composition: Op. 10 No 8, Etude in F major
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In FE1, the raising b1 to b1 is only in the 3rd group of semiquavers. The error was corrected in FE2 by adding a relevant also in the 2nd group. The mistake was also corrected by revisers of GE and EE, who moved the sign from the 3rd beat to the 2nd. In the main text we give both signs due to graphic reasons (division of the bar between two lines of the text). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 59
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composition: Op. 10 No 8, Etude in F major
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FE1 features erroneous c3 as the 12th semiquaver, which was corrected in FE2. GE and EE also include the correct text. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |