Issues : Authentic corrections of FE
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b. 67-69
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composition: Op. 10 No 8, Etude in F major
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In the main text we give the fingering added by Chopin in bars 67-68 in a proofreading of FE (→GE,EE). Fontana completed it in EE both in these bars and in the next one. The additions define the fingering according to Chopin. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 68-70
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composition: Op. 10 No 8, Etude in F major
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Chopin added the pedalling in a proofreading of FE (→GE,EE). It is not clear whether it is meant to indicate a slightly different performance than in bars 8-10 and 22-24, where there are no indications, or whether Chopin marked the pedalling, which he considered to be obvious from the beginning, only here. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 71-74
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composition: Op. 10 No 8, Etude in F major
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The fingering, only suggested in A, was precisely completed by Chopin in FE (→GE). In EE Fontana added a few indications more in bars 72 and 74. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 72
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composition: Op. 10 No 8, Etude in F major
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In A (→FE1) there are no flats lowering d2(3) to d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE |
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b. 73
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources issues: Authentic corrections of FE |
2(3). In 
