



b. 57
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composition: Op. 10 No 8, Etude in F major
..
In A (→FE1→EE3) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Authentic corrections of FE |
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b. 58
|
composition: Op. 10 No 8, Etude in F major
..
In FE1, the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 58
|
composition: Op. 10 No 8, Etude in F major category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of A , Authentic corrections of FE |
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b. 59
|
composition: Op. 10 No 8, Etude in F major
..
In A (→FE1) there are no naturals returning c2 on the 10th and 15th semiquavers. The composer's oversight is completely clear, yet in FE2 a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omissions to cancel alteration , GE revisions , Errors of A , Authentic corrections of FE |
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b. 59
|
composition: Op. 10 No 8, Etude in F major
..
FE1 features erroneous c3 as the 12th semiquaver, which was corrected in FE2. GE and EE also include the correct text. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |