Page: 
Source: 
p. 1, b. 1-22
p. 1, b. 1-22
p. 2, b. 23-38
p. 3, b. 39-54
p. 4, b. 55-74
p. 5, b. 75-91
Main text
Main text
FE - French edition
FE1 - First French edition
FE2 - Second French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FE2 - Second French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 8-22

 in FE (→EE) & GE

Our variant suggestion

The moment of pedal depression at the transition between bars 8-9 and analogous bars is not marked in the uniform manner in the sources –  appears at the beginning of bars 9 and 13, but at the end of bar 22. Similar differences occur further on in the text as well. Even if we assume that this was the result of inaccurately notating or reading autographs, it is difficult to determine without seeing those autographs which notation complies with Chopin's intentions  As in each one of those places both versions make sense, in the main text we propose the variant solution everywhere, in which the mark without brackets indicates the version that is recommended from the practical point of view. 

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues:

notation: Pedalling