mUltimate Chopin

Op. 45, Prelude in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 2, b. 23-38
p. 1, b. 1-22
p. 2, b. 23-38
p. 3, b. 39-54
p. 4, b. 55-74
p. 5, b. 75-91
Main text
Main text
FE - French edition
FE1 - First French edition
FE2 - Second French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FE - French edition
FE1 - First French edition
FE2 - Second French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
EE - English edition
EE1 - First English edition
EE2 - Second impression of EE1
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF Main text

  b. 31-32

 in FE (→EE)

GE

Placing  at the beginning of a new phrase seems to be much more natural. It cannot be ruled out that the sign in [A2] (→GE) was written by Chopin at the transition of the bars and also included the preceding minim in his intentions. That type of notation, nowadays incomprehensible, can sometimes be found in Chopin’s works. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Centrally placed marks

notation: Verbal indications