![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Omission of current key accidentals
b. 18
|
composition: Op. 45, Prelude in C♯ minor
..
It is difficult to decide whether we are dealing here with one authentic version or with two authentic ones. FE1 has no accidentals in this bar, and such sloppy notation (naturals are obviously needed to lower d
In versions with the natural we add a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions |
|||||||
b. 26-27
|
composition: Op. 45, Prelude in C♯ minor
..
In FE1 there is no category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , Cautionary accidentals , Omission of current key accidentals , FE revisions |
|||||||
b. 29
|
composition: Op. 45, Prelude in C♯ minor
..
FE1 is lacking naturals lowering f category imprint: Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions |
|||||||
b. 36
|
composition: Op. 45, Prelude in C♯ minor
..
Lack of flats in front of two last quavers is a patent inaccuracy of FE1, corrected in FE2. GE also has a correct text. A suitable addition was also introduced to EE, in which, however, the pitch of the fourth quaver was changed from c category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Omission of current key accidentals , FE revisions |
|||||||
b. 40
|
composition: Op. 45, Prelude in C♯ minor
..
In FE1 there is no category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , Omission of current key accidentals , FE revisions |