b. 42
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composition: Op. 45, Prelude in C♯ minor
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In the main text we propose a more precise notation of the 2nd half of the bar, considering the elements of the most precise sources of notation in similar situations – FE1 in bar 8 and GE in bar 22. In the described bar, we propose to include both e2 and g2 into harmonic legato, as both of them subsequently appear in the chord at the beginning of bar 43. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in FE , Inaccuracies in GE , Errors in EE |
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b. 43
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composition: Op. 45, Prelude in C♯ minor
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In FE1 the notes of the 2nd crotchet c2-a2-c3 are erroneous and in FE2 they were "corrected" to c2-a2-c3. In EE an appropriate revision was performed, which changed the chord to c2-a2-c3. The latter undoubtedly correct version is also in GE. category imprint: Differences between sources issues: EE revisions , Errors in FE , FE revisions |
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b. 43
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composition: Op. 45, Prelude in C♯ minor
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The value of semibreve ascribed to e2 is most certainly an error of FE (→EE1). The correct value of semibreve is included in GE and EE2. Similarly in bars 35 and 59. category imprint: Differences between sources issues: EE revisions , Errors in FE |
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b. 43
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composition: Op. 45, Prelude in C♯ minor
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In the 1st chord the notes b1-b2 have naturals in all sources. category imprint: Differences between sources issues: Cautionary accidentals |
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b. 44-45
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composition: Op. 45, Prelude in C♯ minor
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In the main text we give the hairpins of GE. As an alternative we propose a version which can be considered an attempt to reinterpret the mark. category imprint: Differences between sources issues: Hairpins denoting continuation |