mUltimate Chopin

WN 17, Polonaise in B♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 52-67
p. 1, b. 1-18
p. 2, b. 19-35
p. 3, b. 36-51
p. 4, b. 52-67
p. 5, b. 68-85
p. 6, b. 86-103
Main text
Main text
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
Importance
All
Important
Main
Undo Clear
Prezentacja
Select 
copy link PDF Main text

  b. 63

Rhythm of upper voice in EF

Rhythm in JC (interpretation) & PE

On the 4th quaver of the bar in JC, there is a figure which fills a crotchet with its rhythmic values: . According to us, the error consists in writing two-time bigger rhythmic values and could be already in [AI]. This kind of mistakes was frequent in Chopin's works, e.g., in the Nocturne in D major, Op. 27 No. 2, bar 56. The hypothesis allows to explain also the creation of the version of EF: having encountered the error in [AI], Fontana corrected it with the method of as little changes as possible, extending the lower beam. In the main text we give the probably unique authentic rhythm, recreated faultlessly in PE.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Rhythmic errors, Errors of JC

notation: Rhythm