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Source:
p. 1, b. 1-18
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b. 1-3
We give the dynamic hairpins after PE, which in case of those bars seems to be the most developed source by Chopin – cf. remarks concerning bars 1-2 (slurs), bars 1-3 (the part of the L.H.), bar 3 (the part of the R.H.), and bar 4 (performance markings).
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issues:
notation: Articulation, Accents, Hairpins