Page: 
Source: 
p. 9, b. 68-76
p. 1
p. 2
p. 3, b. 1-8
p. 4, b. 9-17
p. 5, b. 18-26
p. 6, b. 27-35
p. 7, b. 36-57
p. 8, b. 58-67
p. 9, b. 68-76
p. 10, b. 77-87
PE - First Polish Edition
Main text
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
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JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
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copy link PDF PE - First Polish Edition

Original in: The Fryderyk Chopin Institute Library, Warsaw


  b. 68-69

Rhythmic notation in JC, interpretation

EF

PE

The rhythmic notation of the 2nd and 3rd beats of those bars cause substantial problems as in bars 52-53 and analog. The analysis of the notation of JC suggests that Chopin initially wrote only four quavers in each hand in [AI] and then, in a simplified manner, separated some of the notes by extending their stems over the beams (a similar notation is to be found in the finished autograph of the Polonaise in F minor, WN 12, bars 23-24). The notation of EF is an alternative attempt to decipher the notation of [AI]. For the main text we adopt the notation of PE with a clearly highlighted melodic voice.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources

issues: Inaccuracies in JC

notation: Rhythm