Page: 
Source: 
p. 5, b. 20-35
p. 1
p. 2
p. 3
p. 4, b. 1-19
p. 5, b. 20-35
p. 6, b. 36-50
p. 7, b. 51-67
p. 8, b. 68-83
p. 9, b. 84-103
p. 10
p. 11
p. 12
FEF - French edition by Fontana
Main text
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
JC - Jędrzejewicz Copy
PE - First Polish Edition
EF - Editions by Fontana
FEF - French edition by Fontana
GEF - German edition by Fontana
Importance
All
Important
Main
Prezentacja
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copy link PDF FEF - French edition by Fontana

Original in: The Fryderyk Chopin Museum, Warsaw


  b. 22

Tied b2 in JC

Repeated b2 in #FE

Rest in PE

Our suggestion

At the beginning of the bar, both JC and EF have a bquaver (without any performance markings). The note in JC is linked with a slur with the previous bat the end of bar 21; the slur seems to sustain the note. In the same place, PE has a quaver rest, which, according to us, was erroneously inserted instead of a note (the engraver's error would consist in repeating the rest featured after the aquaver before it). In the main text we propose a version in which the described possible error of PE was corrected on the basis of the remaining sources. At the same time, we consider a possible in this context staccato dot over the note. 

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category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: Errors in PE

notation: Pitch