Fingering
|
b. 58
|
composition: WN 17, Polonaise in B♭ major
..
The authenticity of fingering of FEF is dubious: it is not included in GEF, which most probably means that it was added only during a later proofing of FEF, therefore, it was not featured in the sources available to Fontana while editing the Polonaise. In spite of this, we propose to include it in the main text in a variant form (in brackets) due to its obvious accuracy and concordance with the style of Chopin's fingering. category imprint: Differences between sources |
||||||||
|
b. 70
|
composition: WN 17, Polonaise in B♭ major
..
The authenticity of the fingering of EF is uncertain: it is not included in JC, therefore, it is almost certain that it was also absent in [AI]. The fingering, strictly positioning and compatible with the spirit of Chopin's fingering, however, does not include very characteristic ploys for this fingering. Due to those reasons, we do not include it in the main text. The same applies to bars 72, 74-75, and 75-76. category imprint: Differences between sources |
||||||||
|
b. 72
|
composition: WN 17, Polonaise in B♭ major
..
The fingering of EF was probably added by Fontana. category imprint: Differences between sources |
||||||||
|
b. 74-75
|
composition: WN 17, Polonaise in B♭ major
..
The fingering of EF was probably added by Fontana. category imprint: Differences between sources |
||||||||
|
b. 75-76
|
composition: WN 17, Polonaise in B♭ major
..
The fingering of EF was probably added by Fontana. category imprint: Differences between sources |
