Issues : Errors of JC
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b. 35
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composition: WN 17, Polonaise in B♭ major
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JC has the erroneous A category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
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b. 45
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composition: WN 17, Polonaise in B♭ major
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The extension of the d1 note, marked only in PE, is a typical Chopin's ploy. In bar 18, which is repeated in bar 45, the above mentioned edition features a less gracious notation with a clear display of the voices' convergence. The notation may have resulted from a misunderstanding of the notation of [A], hence we give here the equivalent simplest notation, used in bar 10. category imprint: Differences between sources issues: Errors of JC |
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b. 53
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composition: WN 17, Polonaise in B♭ major
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In this bar, JC has two additional notes, which remained here as a result of an erroneous insertion of the 2nd group of four notes from the subsequent bar. The e category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
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b. 60
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composition: WN 17, Polonaise in B♭ major
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In JC, under the lowest note of the chord, b category imprint: Differences between sources issues: Errors of JC |
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b. 60
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composition: WN 17, Polonaise in B♭ major category imprint: Interpretations within context; Differences between sources issues: Errors of JC |
1 as the 4th quaver in the part of the L.H.
2 remained despite adding the correct text. Also the unjustified in the context of quaver rhythm dot extending d1 on the 2nd beat of the bar remained. It is possible that the lack of a crotchet stem next to the note is also related to the described error.