Pedalling
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b. 64-65
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composition: WN 17, Polonaise in B♭ major
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The pedalling of EF, although compatible with typical ploys of the Chopin pedalling, is probably non-authentic. category imprint: Differences between sources |
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b. 66
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composition: WN 17, Polonaise in B♭ major
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The pedalling of EF is certainly possible to apply, yet the indications themselves are most probably non-authentic. category imprint: Differences between sources |
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b. 70-71
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composition: WN 17, Polonaise in B♭ major
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We give the undoubtedly authentic pedalling of PE. In this case, the indications of EF, probably added by Fontana, entirely match Chopin's indications. category imprint: Differences between sources |
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b. 74-75
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composition: WN 17, Polonaise in B♭ major
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Lack of pedalling markings in bar 75 must be considered as an inaccuracy of notation – cf. analogous bar 71. Therefore, in the main text we propose to complete it. Such pedalling is also featured in EF. category imprint: Differences between sources; Editorial revisions |
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b. 78-79
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composition: WN 17, Polonaise in B♭ major
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In the main text we give the pedalling of PE, which reveals all possible authentic features – the fact that the pedalling is indicated only in bar 78 may be related to the presence of the bass note in a lower register (E). The conventional, combined only with harmonic changes, pedalling of EF is probably an addition by Fontana. Cf. bars 80-81. category imprint: Differences between sources |
