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Issues : Errors in PE
b. 16
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composition: WN 17, Polonaise in B♭ major
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Lack of the grace note in EF is most probably a result of Fontana's error in preparation of the base text (copy of [AI]). The difference in the grace note's form – non-slashed in JC, slashed in PE – has no practical meaning in this context, as Chopin often did not pay attention to this detail. The sharp before the ornament is a patent error of the engraver of PE. category imprint: Interpretations within context; Differences between sources issues: Errors in PE , Errors in Fontana's editions |
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b. 16
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composition: WN 17, Polonaise in B♭ major
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PE features d2 as the upper note of the crotchet at the beginning of the bar. According to us, it is the so called Terzverschreibung, as using an incomplete chord in a typical cadenza formula ending an eight-bar section is very unlikely. Therefore, in the main text we give b category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Terzverschreibung error , Errors in PE |
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b. 19
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composition: WN 17, Polonaise in B♭ major
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According to us, lack of the ornament in PE is probably a consequence of the engraver's error who did not understand the notation of [A] or simply forgot to include a relevant sign. Therefore, in the main text we propose a possibility of considering a mordent (in this context category imprint: Interpretations within context; Differences between sources issues: Errors in PE |
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b. 22
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composition: WN 17, Polonaise in B♭ major
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At the beginning of the bar, both JC and EF have a b category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Errors in PE |
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b. 22
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composition: WN 17, Polonaise in B♭ major
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In PE there is no category imprint: Differences between sources issues: Omissions to cancel alteration , Errors in PE |