mUltimate Chopin

WN 17, Polonaise in B♭ major

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Pitch
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

Pitch

b. 98

composition: WN 17, Polonaise in B♭ major

..

The natural raising b2 into b2 is featured only in JC, which probably stems from the application of different rules of validity of cautionary accidentals.

category imprint: Differences between sources

issues: Accidentals in different octaves

b. 99

composition: WN 17, Polonaise in B♭ major

..

JC and PE have an additional  before b1 in the 3rd semiquaver triplet.

category imprint: Differences between sources; Source & stylistic information

b. 99

composition: WN 17, Polonaise in B♭ major

..

In JC the lower voice was not written down (neither the quaver nor the ties), which is a patent error. We do not complete this notation, as it is impossible to determine what was exactly omitted by the copyist.

category imprint: Differences between sources

issues: Errors of JC

b. 99

composition: WN 17, Polonaise in B♭ major

c in JC & EF

e in PE
..

category imprint: Differences between sources

b. 100

composition: WN 17, Polonaise in B♭ major

a-c1-a1 in JC

a-f1 in EF

a-c1-f1 in PE
..

category imprint: Differences between sources