Page: 
Source: 
p. 15, b. 605-649
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 644-645

Pedalling in EE

No pedalling in GC (→GE)

Pedaliing in FE

Our suggestion

The EE pedalling, however formally correct, raises doubts as for its singling out of the third crotchet in b. 643, which in this tempo is difficult to perform and sonically unjustified. In FE pedal release in b. 645 is surprising as it contradicts the pedaling technique leading to the cumulation of sound of the subsequent chords, which was commonly used by Chopin at the end of his works (but not only there). Pedalling in GC (→GE) must have been omitted (cf. annotation to bars 632-634). For the main text we adopt the pedalling based on FE but without  in b. 645, whose authenticity we doubt.

Compare the passage in the sources»

category imprint: Differences between sources

issues: FE revisions, No pedal release mark, Errors of GC

notation: Pedalling