mUltimate Chopin

Op. 39, Scherzo in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 15, b. 605-649
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
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Important
Main
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  b. 634-636

Long accents in EE & FE

Short accents in GC (→GE)

In the main text the chord are covered with long accents based on EE and FE. The GC notation is not completely unclear, however it seems more probable to read the marks as short accents. Such is the interpretation of GE.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins