Page: 
Source: 
p. 15, b. 605-649
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 632-634

Pedalling in EE

No markings in GC (→GE)

Pedalling in FE

Our suggestion

None of the sources provides correct pedalling in these bars. No  in EE (b. 632) and FE (b. 634) may only slightly mislead the performer as in both sources the moment of releasing (changing) pedals is marked with  (accordingly in bars 633 and 635). In GC (→GE) there is no pedalling until the end of the piece, which most certainly can be classified as the copyist's omission (in two last lines of the text 259-266 i 548-553). 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE, No pedal release mark, Errors of GC

notation: Pedalling