Page: 
Source: 
p. 15, b. 605-649
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 608-612

Pedalling in EE

No markings in GC (→GE) & FE

Our suggestion

The EE pedalling, which is not confirmed in the remaining sources, nor in the corresponding bars, may raise some doubts regarding its authenticity. We propose to add pedal marks in bars 608 and 612 analogous to bars 576 and 580, which we can find in FE. The fact that in GC bars  605-616 are marked as the repetition of bars 573-584 suggests that Chopin did not intend any differences in these parts.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues:

notation: Pedalling