Page: 
Source: 
p. 12, b. 485-528
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
All
Important
Main
Prezentacja
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  b. 509-510

 

GC (→GE)

FE

Our variant suggestion

There are no grounds to question the authenticity of pedal releasing marks in FE (in b. 509), or in GC (→GE) in b. 510. However, the EE pedalling - a separate pedal mark per one chord in b. 510 - seems substantively very doubtful, as in most cases Chopin marked the necessity of adding the sound of notes played in different time. We believe the basis for EE may have had two  marks by mistake and the engraver or editor while trying to make sense out of this notation, added . In the main text we present our variant proposal that includes two undoubtedly authentic versions of pedalling.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Pedalling