Page: 
Source: 
p. 12, b. 485-528
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 497-525

Slurs in EE and FE

GC

Slurs in both hands in GE

In this part also - the last one of its kind in the passage of Scherzo - the beginning of slurs in GC raises doubts when it comes to intrerpreting Chopin's intentions. Already in GE, based on GC, the GC were never rewritten here in accordance with the noatation (while slurs for LH were added). In EE and FE the slurs always begin on quaver figurations (except for the obviously wrongly missing slur in EE in b. 521). In GC the endings of the discussed slurs are notated inaccurately: in bars 501, 509 and 517 the slurs end over the pause on the second beat of the bar.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in EE, GE revisions, Inaccuracies in GC

notation: Pitch