Page: 
Source: 
p. 7, b. 271-306
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
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Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 279

No sign in EE & GC (→GE)

 in FE

The  mark, appearing only in FE, seems very much in place from the musical point of view. This is also the only version that is definitely authentic, as the absence of that mark in GC (→GE) may be accidental, and in EE it is almost certainly so (cf. bar 275).

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in EE

notation: Articulation, Accents, Hairpins