mUltimate Chopin

Op. 39, Scherzo in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 7, b. 271-306
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Articulation, Accents, Hairpins
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Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Important
Main
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  b. 276

 in GC

- - - in FE

No markings in EE

 and - - in GE

In this bar in FE the diminuendo continues, while GC (→GE) has the hairpin mark  . It is difficult to find a convincing explanation behind that difference. For our main text we adopt the version of FE in order to maintain consistency with bar 279. Lack of markings in EE is probably accidental (see the note to bar 275). The dashes that can be seen in GE, prolonging the scope of the dim. are definitely erroneous.

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category imprint: Differences between sources

issues:

notation: Articulation, Accents, Hairpins