Page: 
Source: 
p. 5, b. 199-238
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 201-207

cresc. in GC (→GE)

cresc. in EE

 

cresc. - - - in FE

In EE and FE the indication cresc. was placed under the hairpin mark . This is probably the revision introduced by editors, who could fear that the authentic notation (i.e. cresc. within the hairpin) preserved in GC and GE would prove illegible in print. Moreover, in FE the scope of the cresc. is delimited with dashes stretching until the end of bar 207, which seems to be a misunderstanding (cf. bar 211). As our main text we reproduce the authentic notation of GC (→GE), so characteristic of Chopin.

Compare the passage in the sources »

category imprint: Differences between sources; Source & stylistic information

issues: EE revisions, Errors in FE, FE revisions

notation: Verbal indications