mUltimate Chopin

Op. 39, Scherzo in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 4, b. 159-198
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Main
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  b. 171-172

 in EE & GC (→GE)

 in FE

Variant suggestion of the editors

Both asterisk marks  appearing in the sources are definitely authentic. Chopin wrote the version of FE (asterisk in bar 171) probably later than the version of EE and GC (asterisk in bar 172), yet there are no premises to consider it as definitive. That is why in the main text we give both pedalling alternatives as variants.

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Pedalling