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p. 3, b. 99-158
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
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EE - English edition
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FE - French edition
FE1 - First French edition
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FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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EE - English edition
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FE1 - First French edition
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  b. 129

Staccato dots in EE, GC & GE2

No marks in FE

Dot in GE1

We consider the question of articulation and phrasing to be independent of the choice of the rhythmic variant. That's why we include the staccato dots in our main text despite the fact that they are absent from FE, i.e.  the source whose rhythm we adopt as the basic one. 

See b. 31

Compare the passage in the sources »

category imprint: Differences between sources

issues:

notation: Articulation, Accents, Hairpins