Page: 
Source: 
p. 1, b. 1-47
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 18

Staccato dot in EE

Wedge in # GC and FE

Staccato dots in GE

In the main text we reproduce the wedge that appears in GC and FE, which is almost certainly in compliance with Chopin's notation. In EE and GE, the staccato sign has the form of a dot (and GE has another dot added under the L.H. part). Cf. the note concerning bar 6.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions, Wedges

notation: Articulation, Accents, Hairpins