Page: 
Source: 
p. 18, b. 590-615
p. 1
p. 2
p. 3
p. 4, b. 1-40
p. 5, b. 41-83
p. 6, b. 84-122
p. 7, b. 123-163
p. 8, b. 164-199
p. 9, b. 200-235
p. 10, b. 236-276
p. 11, b. 277-319
p. 12, b. 320-363
p. 13, b. 364-400
p. 14, b. 401-443
p. 15, b. 444-493
p. 16, b. 494-546
p. 17, b. 547-589
p. 18, b. 590-615
p. 19, b. 616-649
p. 20
EE1 - First English edition
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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copy link PDF EE1 - First English edition


  b. 602-603

 in EE

GC (→GE2)

No sign in FE & GE1

For the main text we adopt the musically indisputable GC hairpins  (→GE2, omitted in GE1). The corresponding mark in EE seems to be placed inaccurately - crescendo on the the resounding chord is in fact impossible to execute on the grand piano. No sign in FE may indicate a less carerful edition of execution markings in [A2] (cf. annotation to b. 373)

 

Compare the passage in the sources »

category imprint: Differences between sources

issues: Errors in GE, EE inaccuracies

notation: Articulation, Accents, Hairpins