Page: 
Source: 
p. 11, b. 410-476
p. 1
p. 2
p. 3, b. 1-46
p. 4, b. 47-90
p. 5, b. 91-138
p. 6, b. 139-186
p. 7, b. 187-242
p. 8, b. 243-283
p. 9, b. 284-335
p. 10, b. 336-409
p. 11, b. 410-476
p. 12, b. 477-520
p. 13, b. 521-564
p. 14, b. 565-604
p. 15, b. 605-649
p. 16
GC - Gutmann's copy
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
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Important
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copy link PDF GC - Gutmann's copy

Original in: Biblioteka Narodowa, Warsaw


  b. 470-472

 d3 in EE & GC (→GE)

No accidentals in FE

In FE no naturals lowering dto d3 in b. 470 or d2 to d2 in b. 472 must be seen as errors, which is further confirmed by their lack in GC, despite the fact that Chopin personally filled them in. Naturals in EE may have been added based on the previous three corresponding occurrences of this phrase (bars 176, 220 and 308). Sharps in bars 445447466 also show that  Chopin was not sure over a longer phrase if  (d) belonged to the key signature.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Omission of current key accidentals, Last key signature sign, Authentic corrections in GC

notation: Pitch