Page: 
Source: 
p. 14, b. 401-443
p. 1
p. 2
p. 3
p. 4, b. 1-40
p. 5, b. 41-83
p. 6, b. 84-122
p. 7, b. 123-163
p. 8, b. 164-199
p. 9, b. 200-235
p. 10, b. 236-276
p. 11, b. 277-319
p. 12, b. 320-363
p. 13, b. 364-400
p. 14, b. 401-443
p. 15, b. 444-493
p. 16, b. 494-546
p. 17, b. 547-589
p. 18, b. 590-615
p. 19, b. 616-649
p. 20
EE1 - First English edition
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
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Notation
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Pitch
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Articulation, Accents, Hairpins
Verbal indications
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No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
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Important
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copy link PDF EE1 - First English edition

Original in: Cambridge University Library


  b. 418-431

4 short accents in EE

13 accents in GC (→GE)

12 accents in FE

Our suggestion (13 accents)

Our alternative suggestion (12 accents)

In these bars the question of short or long accents has not beeb resolved. Fortunately enough, a performer who has both options at his disposal is triggered to think about his own idea. The lack of most of the accents in EE must be the engraver's error - the accents end at the beginning a new line of text. The lack of accent in b. 423 in FE is an obvious error too, and we suggest two ways of dealing with it.

See b. 76-89

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents, Errors in EE

notation: Articulation, Accents, Hairpins