Page: 
Source: 
p. 7, b. 271-306
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
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Slurs
Articulation, Accents, Hairpins
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GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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  b. 291-303

Beginnings of slurs in EE and FE

GC

Slurs in GE

As far as beginnings of slurs in bars 291 and 299 are concerned, we decide to give priority to the consistent notation of EE and FE, without trying to reach final conclusions about Chopin's intentions in that respect. In GC, and partly in GE, the slurs in those bars run from the 1st crotchet . GE also has arbitrarily added slurs in the L.H. part. 

Compare the passage in the sources»

category imprint: Differences between sources

issues:

notation: Slurs