mUltimate Chopin

Op. 39, Scherzo in C♯ minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 6, b. 239-270
p. 1, b. 1-47
p. 2, b. 48-98
p. 3, b. 99-158
p. 4, b. 159-198
p. 5, b. 199-238
p. 6, b. 239-270
p. 7, b. 271-306
p. 8, b. 307-347
p. 9, b. 348-398
p. 10, b. 399-446
p. 11, b. 447-484
p. 12, b. 485-528
p. 13, b. 529-565
p. 14, b. 566-604
p. 15, b. 605-649
Main text
Main text
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's copy
EE - English edition
EE1 - First English edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
Importance
All
Important
Main
Undo Clear
Prezentacja
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  b. 267-270

Pedalling in EE & GC (→GE)

Pedalling in FE

Our variant suggestion

The pedalling of EE and GC (→GE) is definitely authentic. The pedalling of FE does not raise much doubt either, apart from the placement of the  mark in bar 267, which seems inaccurate (see the note to bar 259). We include the two versions of pedalling, both of them probably authentic, as variants. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in FE

notation: Pedalling