Issues : Abbreviated notation of A
|
b. 278
|
composition: Op. 39, Scherzo in C♯ minor
..
In GC, this bar is marked as the repetition of the previous one, which must reflect the notation of the autograph. category imprint: Source & stylistic information issues: Abbreviated notation of A |
|
|
b. 375-398
|
composition: Op. 39, Scherzo in C♯ minor
..
In GC bars 375-432 are notated in an abbreviated form. Instead of notes there are digits written out corresponding to numbered bars 33-90. In b. 375, as an example, G category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
|
|
b. 399-432
|
composition: Op. 39, Scherzo in C♯ minor
..
In GC this whole part is notated in an abbreviated form as a repetition of bars 57-90. category imprint: Differences between sources issues: Abbreviated notation of A |
|
|
b. 573-584
|
composition: Op. 39, Scherzo in C♯ minor
..
In GC the bars are marked with consecutive letters from a to m. The letters are then used to mark bars 605-616 in short. category imprint: Differences between sources issues: Abbreviated notation of A |
|
|
b. 605-616
|
composition: Op. 39, Scherzo in C♯ minor
..
In GC these bars are notated in an abbreviated form. Letters referring to accordingly marked bars 573-584 replace the notes here. In b. 605, due to its different connection with the previous bar all notes and rests are written out but without any execution markings. The abbreviation must have alredy existed in [A1], and most probably in the remaining parts of Scherzo. category imprint: Differences between sources issues: Abbreviated notation of A |
1-G